The history of Mexican Americans in Utah is complex, but it is also a history that is neither well represented in mainstream recounting nor well recognized in the mainstream understanding of Utah’s past. Convoluted interactions among Native Americans, Spaniards, French, Mexicans, Anglos, and others shaped the story of Utah. Awareness of the long presence of Hispanics in Utah is essential to understanding the history of the state. This volume is an attempt to piece together that history through photos and oral histories.
As Armando Solórzano and other researchers conducted oral history interviews with Mexicans, Mexican Americans, and other Latinos throughout the state, a number of participants began giving the team photographs, some dating back to 1895, which provided an opportunity to begin reconstructing a history through pictures, as a community project. Within two years, Solórzano and his colleagues were able to create the pictorial history of Mexican-Americans and Latinos in Utah and launched their efforts as a photo-documentary exhibit. This book collects photographs to represent different historical periods and the manifold contributions of Latinos to the state of Utah.
Readers who delve into this book may see these photos as artistic expressions or artifacts of history and photographic technique. Some readers will see images of their relatives and precursors who labored to create a better life in Utah. The images evoke both nostalgia for a time gone by and the possibility of reconstructing history with a fairer premise. The book does not tell the full story of Latinos in Utah but should prove to be a catalyst, inspiring others to continue documenting and reconstructing the neglected threads of Utah’s history, making it truly the history of all of us.
Recipient of the Meritorious Book Award from the Utah Division of State History.
Armando Solórzano is director of Chicano Studies at The University of Utah, where he holds joint faculty appointments in Ethnic Studies and Family and Consumer Studies. He is the author of Fiebre Dorada o Fiebre Amarilla?: La Fundación Rockefeller en México.
Table of Contents:
1. When Utah Was Mexico
1. Utah, Territorio Mexicano
2. The First Hispanic Community in Monticello
2. Las Primeras Comunidades Hispanas en Monticello
3. Latino Miners, 1912–1945
3. Los Mineros Latinos, 1912–1945
4. Hispanic Railroad Workers
4. Los Ferrocarrileros Hispanos
5. Mexican Migrant Workers in Utah
5. Los Trabajadores Migrantes de Utah
6. Hispanic Veterans of Utah
6. Los Veteranos Hispanos de Utah
7. The Quest for Civil Rights in Utah
7. La Lucha por los Derechos Civiles in Utah
8. Religion and Spirituality
8. Religión y Espiritualidad
9. From Hispanics to Latinos: the 1980s and On
9. De Hispanos a Latinos: 1980 a Nuestros Días Appendix: Research on Latinos in Utah
Apéndice: Investigaciones acerca de los Latinos de Utah
A Chronology/Una Cronología of Latinos in Utah
Praise and Reviews:
“This book promises to be a major addition to Utah historical literature. It will be one of those rare volumes that possesses both scholarly and broad popular appeal.”
—Gary Topping, author of If I Get Out Alive: The World War II Letters and Diaries of William H. McDougall Jr.
"The pictures reveal the very visible and powerful ways in which Latinos were an integral and necessary part of the Utah landscape. At its core, Sólorzano’s book carries an important message about the presence and underappreciated history of Utah Latinos.”—Utah Historical Quarterly
“This book is a major contributor to our understanding of the historical narratives of this geographic area and is praiseworthy in its validation of the experiences of an under-documented community with deep roots in Utah.”—New Mexico Historical Review
"Rigorously researched and meticulously crafted to resonate among a readership fluent in the English and Spanish languages, Solorzano’s work is a most unique invitation to immerse ourselves in a public history dedicated to honoring the transnational reach and roots of the Latina/o experience in Utah without leaving monolingual Spanish audiences behind."—Pacific Historical Review